Showing posts with label Angela Gheorghiu. Show all posts
Showing posts with label Angela Gheorghiu. Show all posts

Saturday, June 21, 2008

Friday in the Park with Gheorghiu (and Alagna) (STUB)


Roberto, Angela, and Maestro Ion Marin taking their bows at the end of the first part of the Metropolitan Opera Summer Concert



Angela Gheorghiu, soprano
Roberto Alagna, tenor


The Metropolitan Opera Orchestra and Chorus
Ion Marin, conductor
Donald Palumbo, Chorus Master

Long Meadow, Prospect Park, June 20, 2008, 8:00 PM


Verdi: Overture to La Forza Del Destino
Bizet: "Ton coeur n'a pas compris le mien" from Les Pecheurs de Perles
Catalani: "Ebben? Ne andrò lontano" from La Wally
D. Alagna: Air du condamné from Le Dernier Jour d'un Condamné
Verdi: "Vedi, le fosche" (Anvil Chorus) from Il Trovatore
Donizetti: "Ah, talor del tuo pensiero ... Verrano a te" from Lucia di Lammermoor


Verdi: Overture to Nabucco
Verdi: "Parigi, o cara" from La Traviata
Puccini: "E lucevan le stelle" from Tosca
Puccini: "Un bel di, vedremo" from Madama Butterfly
Verdi: "Va, pensiero" from Nabucco
Delibes: "C'est le Dieu!" from Lakme
Encores:
Dalla: "Caruso" (Angela)
Puccini: "Nessun Dorma" (Roberto)
Dendrino: "Te iubesc" from Lăsaţi-mă Să Cânt (Both)
"Granada" (Both)
"O Sole Mio" (Both)
Verdi: Brindisi from La Traviata (All)
"Granada" (Reprise, Both)

This is the initial E-mail I sent to Brad Wilber with my thoughts on this fabulous night. I'll elaborate more in the next few days. If you're wondering about the "Judaism" label, I'll also go into some detail about how I fitted my Shabbat observance around this concert.

"Roberto and Angela completely, utterly, wonderfully magnificent. So was the Met Chorus - can you imagine what it's like being serenaded with the Ultimate Jewish Chorus, "Va, pensiero", while watching your Shabbat candles burn? Gorgeous day, too. They have something I think no other singer today has - you really sense that they love to sing! I think the only other singers today I get that from are Bryn Terfel and Cecilia Bartoli. For too many singers it's "I am a professional. I am just doing my job". I do get "I need to sing" from some of today's greats, or more accurately "Io sono umile servo/ancella di musica", but that's not quite the same thing as "I love to sing". To be fair, I don't often hear Ramon Vargas, Marcello Giordani, and Olga Borodina, for example, singing stuff that's fun. And there are the great Ravenclaws of the opera world like Thomas Hampson (and Cecilia) who clearly have deep intellectual identification with poets and composers, but that's not quite the same thing either.

Only negatives - if the Met had done this in Central Park, they might have gotten the 150,000 people they wanted instead of "only" 50,000 (still twice as much as for the biggest singer prior, Patti Labelle, who's quite a bit better known than Roberto and Angela!), the fact that there were no texts/translations (criminal considering the rarities and the fact that no one outside France has heard David Alagna's opera!), and the fact that I forgot my binoculars. Yes, I was reasonably close to the stage (the equivalent of the back of the orchestra), but I couldn't see facial expressions, and while they did have the big screens, they weren't in 3D, and during duets the cameras only focused on one singer at a time during "solo" moments and I couldn't see reactions from the other."

Re the title of this post, variations of which have been all over the blogosphere, I really regret having missed the original of this, Sunday in The Park with George, not only when I went to London, but also when the same immensely-acclaimed production came to New York. (SIGH) At least Roberto and Angela were free. It was worth a million.

Sunday, July 08, 2007

Preview of Angela's new CD

While the idiot loggionisti at La Scala are currently booing Angela Gheorghiu as Violetta (predictable - she isn't Italian, she isn't Callas, her husband is "Spanish", she's too famous, and she didn't pay them clapping money), a more sensible audience at the Milanese sewer ... er... theater went pretty wild over a song recital she did there last year, shortly to be released on CD by EMI. Arie antiche, songs by Bellini, Donizetti, Verdi, Gounod, Massenet and several Romanian composers (the best known of whom is probably Tiberiu Bredicianu) as well as "I Could Have Danced All Night" and (oh, no Angela, not again) "O mio babbino caro". One minute sound bites are here. They're wonderful - never have I heard a more sheerly joyous "Me voglio fà'na casa", a song I associate almost exclusively with tenors, primarily Carlo Bergonzi. Or a warm and seductive "A vuchella" - I think the only non-tenor I've heard sing this is Cesare Siepi (oh, no wait, I also heard his possible "successor" Roberto Scandiuzzi, but the point is, not a woman). And the Romanian material looks very interesting indeed. She seem to be having a lot of fun, figuratively (though not literally!) taking her hair down, which is a bit of a change. And I would frankly rather have her do more stuff like this than sing the same 7 or 8 arias over and over again in every city in the world, even if not everybody follows her around. Her My World recital CD is one of my favorites of hers and when I first heard it I thought she would be a song recitalist to rival Victoria De Los Angeles in scope and breadth. Sadly, this doesn't seem to be happening. In fact my one real artistic criticism of her is that she's conservative almost to the point of timidity (unlike Roberto, who rushes in where fools and angels fear to tread). (1)

To be fair to the La Scala audience, apparently most of them loved her Violetta, but I don't see why any artist - even ones I don't like (2) - should have to put up with that kind of politically motivated garbage from a bunch of hooligans. I am emphatically not one of those who cherish the idea of "opera as blood sport". I have the feeling if she survives this run, she'll probably eventually wind up queen there. I'm still hoping that she and Roberto will be able to do Manon Lescaut there. Or somewhere. Maybe Covent Garden with Tony? They are apparently recording it. And Tony is apparently preparing a new production of the Other Manon with The Other Couple...

Anyway, the CD will be released in both the UK and the US on August 28.
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(1) Actually, her diction isn't always the greatest, but that's a problem with a lot of sopranos and I am, I suppose, ultimately comparing her with Roberto, who has, in general, some of the best diction I've ever heard from a singer (it was the second thing I noticed, after the beauty of the voice), and the best French diction from any singer since Georges Thill.

(2) For example, Luciano Pavarotti wasn't booed for cracking a high B in Don Carlo, he was booed because the loggionisti decided he had become too popular outside Italy. And Renee Fleming, what ever my issues with her as a singer of bel canto (or almost anything, these days), she did not deserve to have people screaming "va, va, puttana Americana!" at her. No, I'm not going to translate that.

Friday, January 26, 2007

Oy-oy-oy-oy-OYYYY!

Most people seem to assume that the incredibly multifarious Yiddish word "oy" is almost exclusively a negative exclamation, and I believe I have to date used it only as such in this blog. However, the late, great Leo Rosten (the writer of just about every major popular book abut Yiddish) has rightly said that "oy" is not a word, it's a vocabulary. In The Joys of Yiddish he gives 29 uses of "oy" including pain, sorrow, frustration, dismissiveness, surprise, laughter, and outright euphoria. Well, it's with that last emotion with which this entry is tinged, as three things have happened that I really want to kvell about.


1. I seem to have... a secret admirer? a "fan"? a patron, even? There is a gentleman in California (whose name I do know, but I'll leave him his privacy unless he tells me otherwise) who is apparently so enamored of my writing, both for this blog and my virtually defunct Amazon Reviews (which I will start again - one of these days. I hope), that he is buying me gigantic chunks of my Amazon Wish List in appreciation! Well sir, consider this my falling on my knees and kissing your feet from afar. THANK YOU. THANK YOU! THANK YOU!!!! And in your honor I will do my best to post more often. Well, I want to do that anyway, but now I have additional incentive. I suppose I am actually getting paid for my writing at last, even if it is by barter!

2. I just found out that Angela Gheorghiu is singing not just four Amelias in Simon Boccanegra at the Met this season (of which I will be attending two), but what is still her greatest role...Violetta! Now this is always an event, especially as I have heard of no plans for her to sing it again in New York anytime soon (although I now wonder about 2010-2011 since she's not doing the Don Carlo). One night only (March 24), unfortunately. My guess is that the originally scheduled Krasimira Stoyanova (who I would also like to see in the role and whose Nedda I will be seeing on Tuesday) was unavailable, Gelb wanted the starriest replacement possible, and Angela, who just happens to be doing a concert in Florida the night before, was more than willing (1). Since I have been out of touch with most of the main operatic news outlets for some time, mostly due to their recent treatment of Angela's husband (2), I only found out about this today from one of the other members of the Yahoo! Gheorghiu and Alagna fan club where I am a now largely absent moderator (3). Angela has been listed as being part of this performance on the Met's website for several days now - since it's a Saturday night performance, I really hope I can get a ticket. This is one of the few Met things that I will happily pay $42 for - and we get not just Angela but Jonas Kaufmann (hopefully minus cold, this time) and Dwayne Croft. Not Earle Patriarco as the Marquis, but you can't have everything.

3. And last but not least...


Derek Jacobi is going to be on Doctor Who.
Derek Jacobi is going to be on Doctor Who!!!! SmileyCentral.com



You know, he's like one of my favorite actors ... ever, appearing on possibly my favorite show ... ever?

I remember being 9 years old and absolutely riveted to the screen by I, Claudius - well, most of it anyway, as my parents wouldn't let me watch the very adult last four episodes (4). Admittedly, this wasn't just because of Sir Derek (and oh, how long I waited to call him "Sir" - I first saw him in 1979 and I don't think he was knighted until 1994 !), as it's arguably the greatest drama ever produced on British television, but it's mainly his fault that I developed an intense interest in Roman, Greek, and Egyptian culture, and took Latin in high school! I also remember his Hamlet for the BBC, so intense that I turned it off when he started yelling at his mother. In fact, I've never quite forgiven my mother for not giving me the money to go see him on Broadway when he came to do "Breaking the Code" (it did wind up on Masterpiece Theater, but that's not the same thing).

Oh, yeah, and Cadfael. I love historical mysteries, especially medieval ones. I still have to read those books. Right now my favorite mystery series is Sharan Newman's Catherine Le Vendeur novels, but that series seems to be either ended or on hiatus after 10 books. One of these days days I hope to be able to tell Sir Derek this story. I was watching Cadfael with my late ex-boyfriend, who was a master of bad puns (note to potential future boyfriends - that's an asset). He said, "Well, we all know about Cadfael (pronouced "cad-file") the monk who's a detective. Do you know about the monk who's a bureaucrat? Cardfile."

Then his work with Kenneth Branagh - he was so wonderful as the Chorus in Henry V (my favorite Shakespeare movie?). In fact when I saw him in Dead Again, where he was not only the most sinister character in the movie but also the funniest, I was thinking how perfect he would be as the Doctor. But I figured, hey, he's one of the greatest actors in the world. He'd probably look down his nose at Doctor Who. And they could never afford him. Boy, I'm so glad I was wrong!

(Well, it is too late at this stage for him to play the Doctor, as he's in his late 60s. I think that the shows producers at this point would never cast an actor much past his 40s, and it's an intensely physical role and production - 13 hours a day, 6 days a week, 9 months a year is more than a lot of actors, regardless of age, could handle.

And if I'm fainting with joy over this, I can only imagine how David Tennant and Freema Agyeman (oh, yes, and John Barrowman, too - Captain Jack is back!) are reacting. David's worked on some very high profile projects and with the RSC, so he may have worked with Sir Derek before. I can't wait to see how they interact, especially as I think David is not far away from being an actor of Sir Derek's stature (the only real issue is the age, not the talent) and will probably have his own knighthood within the next 30 years. If not I will go to Britain and assassinate whoever is on the throne (5).

All that has been revealed about his upcoming Doctor Who appearance is that he is apparently playing a character called "the Professor" who is a good guy trying to help the Doctor save the world from destruction. Of course, the British tabloids have already started rumors to the contrary, and I will not comment on the speculation as to who the character really might be as it will spoil things for readers of this blog who are Doctor Who fans and bore those who are not. I assume his character will be in the two-part (as yet untitled) finale, as he's too "big" a star to appear in anything less. I imagine it must be a really great script and a pretty meaty role, as well, otherwise I suspect he wouldn't do it. Possibly a fabulous death scene. I just hope he doesn't steal the show from the main characters (as Simon Callow's Dickens did in "The Unquiet Dead") Oh well, we'll find out for sure by the end of June, when the episodes air in Britain, and since I assume that the season will begin airing on the SciFi Channel shortly after, we'll know all the details in about 10 months.


Ten MONTHS??


Oy. That's a long wait. OYYYYYYY! (6)


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(1) I suspect strongly that Angela will cancel said concert.


(2) Was he wrong? Yes. Does he deserve crucifixion? No.


(3) If any of you are reading this, folks, I am faithfully reading if not posting. Look how hard it is maintaining this piece of writing!

(4)I finally saw them when I was about 16 and think most of the questionable content would have gone over my head at 9.


(5) Although producer/head writer Russell T Davies has referred to David in interviews as "Sir David Tennant", just as he used to refer to former companion Billie Piper as "Dame". And let's not forget that the Doctor and Rose were knighted by Queen Victoria! (Never mind what happened afterwards) And I'm assuming there's actually still a monarchy in Britain in 2030. Actually I might carry out that threat if Antonio Pappano isn't knighted by 2010 (assuming he's still at Covent Garden or some other British musical institution like the LSO). And what about Patrick Stewart?


(6) Well, I suppose there's YouTube. Sshhhhh.....